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The first book to tell the visual story of the USSR s war against religion of all denominations, from the 1917 revolution to its fall in 1991 We ve finished the earthly tsars and we re coming for the heavenly ones! . Thus spoke the Soviet Union s first atheist propagandists as they declared war on the opium of the people across the USSR.… Přejít na celý popis
Dante Russo, bezohledný a arogantní miliardář, se ocitá v nečekaném zasnoubení s krásnou dědičkou šperkařského impéria, Vivian Lau. Co začíná jako vydírání, se mění v něco, co Dante nemůže ignorovat... Více informací
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The first book to tell the visual story of the USSR s war against religion of all denominations, from the 1917 revolution to its fall in 1991 We ve finished the earthly tsars and we re coming for the heavenly ones! . Thus spoke the Soviet Union s first atheist propagandists as they declared war on the opium of the people across the USSR. Soviet atheism is the great lost subject of the 20th century. Pope Pius XI led a crusade of prayer against it. George Orwell satirised it in Animal Farm. The Nazis called it a Jewish plot. Franklin D Roosevelt pressured Stalin to abandon it. Aleksandr Solzhenitsyn blamed it for Russia s catastrophes. Ronald Reagan put it at the core of his Evil Empire speech. And yet, because the Soviet Union promoted atheism almost entirely for domestic consumption, decades worth of arcane and astonishing antireligious imagery remains unknown in the West. Drawing on the early Soviet atheist magazines Godless and Godless at the Machine, and post-war posters by Communist Party publishers, Roland Elliott Brown presents an unsettling tour of atheist ideology in the USSR. Here are uncanny, imaginative and downright blasphemous visions from the very guts of the Soviet atheist apparatus: sinister priests rub shoulders with cross-bearing colonial torturers, greedy mullahs, a cyclopean Jehovah, and a crypto-fascist Jesus; Russian cosmonauts mock God from space while vigilant border guards nab American Bible smugglers. Godless Utopia is the occult grimoire of a lost socialist anti-theology.Table of ContentsIntroduction Occult History Formidable Sect Red Seminarian CampaignovshchinaPriests of Power Millennium Coda Review Roland Elliott Brown explains how Lenin set the groundwork to overthrow the Soviet Union's religious institutions -- and how a raft of brightly coloured propaganda posters became the leader's weapon of choice.--Calvert JournalSince the Soviet Union's promotion of atheism was almost entirely targeted at those living within it, the posters, editorial illustrations, and other propaganda associated with it are largely unknown to Western designers.--Emily Gosling "AIGA "Godless Utopia: Soviet Anti-Religious Propaganda' collects the most striking examples of the form.--Cory Doctorow "Boing Boing "In the Soviet Union, atheism became government policy, enforced by the state and encouraged by anti-religious posters and magazines. These have been collected in Roland Elliott Brown's [Godless Utopia].--GuardianBlasphemous shock and awe were a major part of the Bolshevik aesthetic, as seen in the covers of Godless magazine.--Rolland Elliot Brown "Spectator UK "Students of Russian history will welcome the publication of "Godless Utopia" this month, but so too will art historians, religious scholars, as well as observers of Russia's cultural history and indeed anyone who has embarked on the quixotic search for the elusive Russian soul.--Jennifer Eremeeva "Moscow Times " About the Author Roland Elliott Brown is a London-based journalist and arts writer haunted by echoes of 20th century ideologies. He has reported from Iran for Foreign Policy and has written extensively about history, politics and human rights struggles in the Islamic Republic. His writings on books and imagery - usually connected with Russia and Iran - have appeared in the Spectator and the Guardian. Damon Murray and Stephen Sorrell have been publishing books on Soviet culture since 2004, from the Russian Criminal Tattoo Encyclopaedia to Soviet Bus Stops.
- Nakladatel
- Fuel
- Rozměr
- 160 x 200 x 22 mm
- isbn
- 978-0-9957455-7-5
- Počet stran
- 192
- datum vydání
- 1.01.2018
- ean
- 9780995745575
- Vazba
- pevná vazba
- jazyk
- angličtina
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