0.0 z 5 hvězdiček
měkká vazbaKniha ( pevná vazba )
- Produkt je nedostupný.
Helen Levitt´s pictures haunt like an intimate ghost - ever present, never forceful, curious, receptive. In 1938 Levitt accompanied Walker Evans on a number of trips when he photographed passengers on the New York subway and soon she was taking her own shots. More empathetic and informal with a camera, Levitt´s finest photographs came from… Přejít na celý popis
Zkraťte dětem cestu autem nebo jim zpříjemněte usínání s těmi nejhezčími audioknihami! Ty nejhezčí pohádky a příběhy do oušek pro děti právě teď koupíte na našem e-shopu se slevou 30 %!
Více informací
K tomuto produktu zákazníci kupují
-
Looking at Photographs
-
The Advertising Photographs
-
Women Photographers
-
A Book of Days
-
Robert Frank: Trolley — New Orleans
-
A Series of Glances
-
Henri Cartier-Bresson: Paris Revisited
-
In the Shadow of Photography
-
Why We Photograph Animals
-
The Magic of Japanese Zen Gardens
-
The Presence of Something Past
-
Du Pont Gardens of the Brandywine Valley
-
Film Book : A Complete Guide to the World of Cinema
0.0 z 5 hvězdiček
pevná vazba -
Ylla: The Birth of Modern Animal Photography
-
1964: Eyes of the Storm
-
Gardens of the World
0.0 z 5 hvězdiček
pevná vazba -
Tiny Living Spaces
-
The Dog in Photography
-
The Portrait Photographer´s Manual
-
Marie Tomanova: New York New York
-
Charles J. Stick and His Gardens
-
I Work at Home : Home Offices for a New Era
-
Deserted: In Pursuit of Drylands
-
Franz Kafka: The Drawings
Helen Levitt´s pictures haunt like an intimate ghost - ever present, never forceful, curious, receptive. In 1938 Levitt accompanied Walker Evans on a number of trips when he photographed passengers on the New York subway and soon she was taking her own shots. More empathetic and informal with a camera, Levitt´s finest photographs came from being present to the world, allowing herself to be seen as a fellow citizen, not as a photographer setting herself apart. The disarming ease of Levitt´s pictures builds up, page after page, into an undeniably singular attitude to the medium and the world. It was around 1978 that Levitt made her return to the subway, a full four decades after that first foray. She seems to have picked up exactly where she had left off in 1938, but in general her photography was less restricted, more in keeping with her looser street photographs. By the 1970s, public behaviour on the subway was much less formal, there was "elbow room". This is the most comprehensive publication of Helen Levitt´s photographs from the New York subway, many of which are published here for the first time.
- kategorie
-
Knihy »
Cizojazyčná literatura »
English literature »
Nonfiction »
Art, Architecture and Photography
- Nakladatel
- Buchhandlung Walther Konig
- datum vydání
- 1.01.2016
- ean
- 9783960981220
- Počet stran
- 84
- jazyk
- angličtina
- Vazba
- pevná vazba
- isbn
- 978-3-9609812-2-0
Hodnocení a recenze čtenářů Nápověda
5.0 z 5 1 hodnocení čtenářů
1× 5 hvězdiček 0× 4 hvězdičky 0× 3 hvězdičky 0× 2 hvězdičky 0× 1 hvezdička
Přidejte své hodnocení knihy
Vývoj ceny Nápověda
Získejte přehled o vývoji ceny za posledních 60 dní.